randian | 燃点

How we live and relate to each other in light of increased digitisation is at the core of ‘Rhythm and Senses’, the first solo exhibition of Tao Hui (b. 1987, Chongqing) at Edouard Malingue Gallery, Hong Kong. >> Read more

Paul Kasmin Gallery is pleased to announce Lines Thicken: Stuart Davis in Black and White, an exhibition of black and white paintings and works on paper by Stuart Davis (1892 - 1964). >> Read more

(中文) 蔣志的最新個展“去來”呈現了藝術家近年關於人生境遇和生命循環往復的思考軌跡 >> Read more

Edouard Malingue Gallery, Hong Kong is pleased to present a duo exhibition of Syaiful Aulia Garibaldi (Indonesia, 1985) and Arin Dwihartanto Sunaryo (Indonesia, 1978) as part of an ongoing collaboration with ROH Projects, Jakarta. Following the gallery’s group show at ROH Projects in February, this reciprocal exhibition continues to develop greater dialogue with artists in Indonesia and the wider Asian Pacific region. “ω […] >> Read more

Ho Tzu Nyen , Mark Geffriaud, Laurent Grasso, Kwan Sheung Chi  and Sun Xun Responding to transcontinental considerations of history, power, time and discovery, Edouard Malingue Gallery is pleased to present a focused series of film screenings bringing together, for a one week period at a time, five artists working between Asia and the West. Presented in […] >> Read more

Blindspot Gallery will open two solo exhibitions on 19 September, Saturday featuring South Ho Siu Nam: "good day good night" and Ken Kitano: "Now, Here, and Beyond". >> Read more

Edouard Malingue Gallery is pleased to announce its move and expansion in Central Hong Kong. >> Read more

Simulation and Simulacra, presented by AroundSpace Gallery, will showcase how artists explored and interpreted the nature and the social environment. >> Read more

Gu Cheng hacked his wife Xie Ye to death and then committed suicide by hanging at the apartment in New Zealand. The intelligentsia expanded a discussion on humanistic spirit. >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more